Breaking the original codes to create more access for a wider range of viewers, the new Winspear Opera House in Dallas puts a new label of an opera house core. An extension of generous sunlight canopy from the building, showing the lobby with sixty foot high fully glazed below are ways to respond the climate in Dallas. A straight connection between outside and inside is created by it in order to improve the transparency. There is a shadowed pedestrian square under the canopy that provides a main new public area for Dallas which shapes to the environment strategy an integral aspect. The masterplan characterizes it for the District of Performing arts. Foster+Partners and OMA designs the masterplan together with Michel Desvigne.
Completed with the canopy on the orthogonal grid produced by Flora Street, the opera house becomes the crucial aspect of the district, including the Morton H. Meyerson Symphony Center, the Booker T Washington High School, the De and Charles Wyly Theater and the soon-upcoming new City Performance Hall. The Annette Strauss Artists’s Square, with an outdoor performance space that accommodates 5000 viewers and a smaller outdoor performance space completed with a café terrace and the main entry that has an access to the garage are located around the Opera House. Note that they are angled off-grid below its canopy. These spaces create the project an integral aspect together with the public plaza called Sammons Park; the spaces connect the city in an urban level.
As an organization, the Winspear provides a number of spaces that is publicly welcoming and transparent which coil the red and rich glass barrel of the hall with 2,200 seats. Besides integrated in whole with the Dallas cultural life, completed with a public café and restaurant all day, it will be a special destination for the going public that is non-opera. The shift from the Grand Plaza through into the hall is entered under the lover canopy. It is designed improve the drama of presence show – as a result, ‘to bring the audience the theatre’. Striving surrounding the drum, the main staircase makes all the lobby connected and gives the viewers a chance to observe, discuss and stop. The audience is made possible to move in a horizontal way at every balcony of all levels by deep measure in the drum.
An intimate sense with the performers is created by the auditorium itself. A mascot plan mixture with the stacking which is vertical and dramatic of the seating verandas are working together with Theatre Projects to make sure that the audience would be as close as it could be to the stage. The intimacy is then supported by stressing the front of the balcony, with their finish in white gold that is in contrast with the red and dark interior. the auditorium solidity improves the acoustics, they are designed by Bob Essert of Sound Space Design. The human voice resonance is enhanced by the finishes and detail. That what makes the sound of the orchestra rich yet clear. A chandelier that makes a light with inverted cone that comes from a mixture of 320 acrylic bars that climb up the auditorium ceiling at the performance starting point is supposed to improve the drama sense. The famous Guillermo Quintero, an artist from Argentina, has designed a thrilling stage shutter completing the auditorium.
image source: Nigel Young / Foster + Partners